Today we’re continuing our exploration of how the early
Spanish dance tune, La Folia, has been used by many of the illustrious
composers of the Western world. Today’s
take on La Folia comes to us from the distinguished Italian composer, Alessandro
Scarlatti.
Alessandro Scarlatti was born in Palermo in 1660. He studied under Giacomo Carissimi, a
prominent exponent of the Roman School of the early Baroque style. When his first opera was performed in Rome
(at the tender age of 19); he so impressed Queen Christina of Sweden (who was
sojourning in Rome at the time) that she made him her Maestro di Cappella.
Five years later, he took a similar post in Naples. Naples was to be Scarlatti’s base for the
rest of his life, with extended stays in Venice, Florence and Rome. Scarlatti produced a string of successful
operas, as well as church and instrumental music.
Scarlatti was also an
accomplished keyboardist. His
contribution to the Folia legacy is a set of harpsichord variations. Enjoy!
Scarlatti was also the
father of two composers; the illustrious Domenico Scarlatti, and the
less-illustrious Pietro Scarlatti.
Domenico Pietro
You may recall that earlier
in the week, I posted a clip of Vladimir Horowitz playing Domenico Scarlatti’s
Sonata in B Minor. Here’s another clip
of the great master, playing Scarlatti’s Sonata in E Major (again from his
historic 1986 concert in Moscow.)
And to round out the family,
here’s Pietro Scarlatti’s Toccata in G Minor.
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